La serie de seminarios C-MAP de este año, Transversal Orientations, estuvo compuesta por cuatro mesas que tuvieron lugar en Zoom en junio de 2021. Con este texto, Dra. Riánsares Lozano de la Pola responde a las presentaciones y a la conversación posterior que tuvieron lugar en la cuarta y última mesa de la serie de seminarios con Jeannine Tang, Jaanus Samma, e Irmgard Emmelhainz.
Neste ensaio, Hlonipha Mokoena oferece uma reflexão contundente e um epílogo de propensão evocatória ao terceiro painel Territórios Emaranhados, com a participação de Sandra Benites, Black Athena Collective e Chie Ikeya.
This year’s C-MAP seminar series, Transversal Orientations, comprised four panels that took place on Zoom in June 2021. In this essay, Dr. Hlonipha Mokoena provides a profound reflection and evocative epilogue to Entangled Terrains, the third panel in the seminar series featuring Sandra Benites, Black Athena Collective, and Chie Ikeya.
This year’s C-MAP seminar series, Transversal Orientations, comprised four panels that took place on Zoom in June 2021. This essay reflects on Looking Sideways, the first panel in the seminar series featuring Sorawit Songsataya, Corina L. Apostol, and Ruth Simbao.
In this interview, recorded a few months before Davidovich’s passing, curator Ana Janevski talks with the Argentine-American artist about his career, his early days in New York City and Cleveland, and his work Tape Wall Project (1970/1988), recently acquired by MoMA. This is the second of two parts. Read the first part of the interview…
En sus películas, la cineasta paraguaya Paz Encina combina ficción y material de archivo, imágenes condensadas y un inusual foco en el sonido, para abordar temas que atraviesan la historia de su país, como la Guerra del Chaco (1932–35), la larga dictadura de Alfredo Stroessner (1954-89), la deforestación masiva, y el desplazamiento de comunidades indígenas.
Paraguayan filmmaker Paz Encina (born 1971) combines fiction and archival material, precise imagery, and an unusual focus on sound to address issues that mark the history of her country—like the Chaco War (1932–35), the long dictatorship of Alfredo Stroessner (1954–89), massive deforestation, and the displacement of indigenous communities.
Published to coincide with Fotoclubismo: Brazilian Modernist Photography, 1946–1964 at MoMA, art historian Adele Nelson analyzes the Sala de Fotografia, a last-minute, “in-between” and hitherto unexamined exhibition organized by Foto-Cine Clube Bandeirante for the second edition of the São Paulo Bienal.
Showing up in food, cosmetics, fuel, and medicine—and, by consequence, in much of the air we breathe—corn is a ubiquitous presence in our lives. Inspired by the first episode of MoMA’s Broken Nature Podcast, this text investigates how one single crop travels through our contemporary food system.
Through a close reading of Kowkülen (Liquid Being) (2020), a video piece by artist Sebastián Calfuqueo, the author delves into the work’s intricate engagement of Mapuche cosmopolitics, proposing a critical approach to the neoliberal violence of water commodification in Chile vis-à-vis nonbinary modes of inhabiting the world.
Hinged on the transversal as a means to engage with and envision new networks and ways of thinking about modern and contemporary art, the 2021 C-MAP seminar series offered an exploration and interrogation of the intertwining of multiple coeval life-worlds through concepts of “extending across.” Included here are abstracts and recordings of the four panels held on Zoom on June 2, 3, 9, and 10.
In December 1979, walking down a long road in eastern Santiago de Chile, Rosenfeld bisected the center-line markings through the perpendicular application of broad white tape. Executed at the height of a dictatorship, her defiant gesture generated a powerful new social sign: a path of crosses.
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