Gaëlle Choisne shares the details and entryways to her artistic practice. This text serves as a record of Choisne’s artistic and conceptual process, and is part of the C-MAP Asia Fellow’s ongoing research about curatorial approaches to art.
The first of its kind on post, this interactive commission sees artists S. Yi Yao Chao and Poklong Anading and curator Chương-Đài Võ responding to three archival collections at Asia Art Archive and, more broadly, approaches to artmaking in Southeast Asia.
Art historian Inesa Brašiškė highlights the ideas behind the work of Lithuanian-American artist and architect Aleksandra Kasuba (1923–2019), most notably her countering of the rigid geometry of architecture through the use of soft materials and curved shapes, and her emphasis on the fundamental connection between the built environment and the formation of subject.
post interviews curators and directors from vital institutions around the world about how the COVID-19 pandemic has affected their conceptions and practices of programming, civic engagement, and care. In this interview, we speak with Gridthiya Gaweewong, Artistic Director of the Jim Thompson Art Center in Bangkok, Thailand.
Hinged on the transversal as a means to engage with and envision new networks and ways of thinking about modern and contemporary art, the 2021 C-MAP seminar series offered an exploration and interrogation of the intertwining of multiple coeval life-worlds through concepts of “extending across.” Included here are abstracts and recordings of the four panels held on Zoom on June 2, 3, 9, and 10.
Treating as insightful case studies the records of miraculous, flower-flurried advents of Mary, Mediatrix of All Grace in the Mindanao Cross, a local newspaper founded by Catholic missionaries in Cotabato City, Mindanao, in 1948, researcher and curator Renan Laru-an initiates the notion of an exhibitionary heritage, articulating this proposition through a self-created grid.
This conversation took place via email from December 2020 to February 2021. Though participants had already been acquainted for a long time before this, they began their exchange with casual personal introductions.
In this short virtual interview, C-MAP Fellow Nancy Dantas discusses Generator—a conceptual and infrastructural proposal, hinged on restitution—envisioned by curators Azu Nwagbogu and Clémentine Déliss as part of their long-term program for the AAF, Lagos.
Achille Mbembe reflects on the global present and observes a recurring demand for durability in a planet in need of political and aesthetic repair.
How does art history deal with the radical diversity of objects it encompasses?
The roundtable discussion focuses on international networks that decenter, complicate, or even bypass Western-centric models.
During 2016 and 2017, more than 80 scholars, artists, and curators visited MoMA as C-MAP guests. n conjunction with the 5 Questions interview series, we asked them a sixth question: How can MoMA better approach international artistic production and exchange?