The author applies what they call “a Buddhist reading” to Rirkrit Tiravanija’s Untitled (rucksack installation), 1993, analyzing it alongside recent developments in contemporary Thai art and politics.
This conversation between filmmaker and artist Thuy-Han Nguyen-Chi and C-MAP Asia Fellow Wong Binghao is accompanied by a two-week screening of Nguyen-Chi’s film Into The Violet Belly (2022), and a collage by designer Ghazaal Vojdani that responds to the conversation.
This elegiac text, published as a postscript to C-MAP’s 2022 seminar, is one of many in which artist Daniel Lie, one of the seminar’s panelists, reflects on the non-binary nature of life and death, a crucial thematic in their artistic practice.
Neste texto elegíaco, publicado a título de posfácio ao seminário, organizado pelo C-MAP em 2022, Daniel Lie, autore e palestrante convidade, reflete sobre a natureza não binária da vida e da morte, uma temática crucial na sua prática artística.
The 2022 C-MAP seminar series, Transversal Orientations Part II, was held on Zoom across four panels on May 25 and 26, 2022. This text by Irmgard Emmelhainz, independent translator, writer and researcher, is the second written response to the seminar.
Breaking Down Binaries, Feeling Contradictions: Thoughts on Some of the Conundrums Concerning Art’s Ecologies
Sarah Lookofsky, former Associate Director of the International program at MoMA, rumintes on the presentations and conversations held on Day One of the 2022 C-MAP seminar. Lookofsky calls out the contradictions of art’s embeddedness with various ecologies, rehearsing her own writing-thinking as produced by a “dumpy dialectic.”
Collaborating artists Amy Lien and Enzo Camacho take a speculative approach to Alfonso Ossorio’s sculpture, currently on view in Gallery 415, attempting to locate an insurgent potential bubbling underneath the picture’s baroque aesthetic.
In her essay Slender Threads, Nancy Dantas revisits the cross-generational dialogue and transnational history evoked by Saigon-born artist Tuan Andrew Nguyen’s The Spectres of Ancestors Becoming, presented at RAW Material Company during the Dakar Biennial of 2022.
Historian Sumit Mandal initiates a comparison of the architecture, surrounding landscapes, and histories of two keramat, or Muslim gravesite-shrines—Habib Noh in Singapore and Tuan Guru in Cape Town.
vqueeram and Vishal Jugdeo reflect on their film Does Your House Have Lions (2021), which was screened earlier this year as part of Doc Fortnight 2022: MoMA’s Festival of International Nonfiction Film and Media.
Art historian Y. L. Lucy Wang analyzes the architecture and photographic record of the 1955 Bandung Conference, revealing the ways in which the event visually projected its aims of South-South solidarity by bringing new meanings to architectural forms previously charged with colonial and historical associations.
The first of its kind on post, this interactive commission sees artists S. Yi Yao Chao and Poklong Anading and curator Chương-Đài Võ responding to three archival collections at Asia Art Archive and, more broadly, approaches to artmaking in Southeast Asia.