C-MAP Asia Fellow
Wong Binghao enjoys communicating between contexts and mediating art to diverse publics. They eclectically constellate ideas, scenes, art, and writing as a gesture towards ethical and expansive cultural work. This practice currently takes the form of a series of publications (Indifferent Idols 2018, nominal bliss 2019, and forthcoming 2021) that attempts to generate contextually specific, conceptually capacious, and emotionally available readings of art. Wong writes for artist books, exhibition catalogues, and specialist publications including Artforum, Frieze, Leap, Textwork Fondation d’entreprise Pernod Ricard, Philippine Contemporary Art Network, and Southeast of Now. Recently, they served as Evaluator for the 2020 Andy Warhol Foundation Arts Writers Grant and presented their research at Bergen Kunsthall and the Gender in Southeast Asian Art Histories: Art, Digitality, Canon-making? Symposium.
This conversation took place via email from December 2020 to February 2021. Though participants had already been acquainted for a long time before this, they began their exchange with casual personal introductions.
Global South collaborations, site specificity, public engagement, cultural mediation, translation, and the politics of the environment—these are but some of the many facets of curator Đỗ Tường Linh’s research and practice.
In an effort to consider the variegated impacts of COVID-19, post has interviewed curators and directors from vital institutions around the world about how the pandemic has affected their conceptions and practices of programming, civic engagement, and care.
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