1940s

Asia | Transnational Histories and Non-aligned Networks

post Presents: Unsettled Dust—Archives, Epistemologies, Images

These presentations and panel discussion at MoMA brought together four filmmakers and artists who work in expanded documentary modes, using existing footage, archival research, interviews, and scripted narratives to produce imaginative accounts of transnational struggles, solidarities, and interventions. Using moving images, some of these practitioners interrogate the anti-colonial and anti-imperialist movements of the mid-late 20th…

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Central & Eastern Europe | Contemporary Crisis and Dissent

Fighting the Authoritarian Machine from the Inside: Tamar Abakelia and Natela Iankoshvili

In this text, curator and writer Nina Mdivani revisits the lives and work of Tamar Abakelia (1905–1953) and her student Natela Iankoshvili (1918–2007). She emphasizes how these two Georgian women artists navigated between undertaking state commissions and finding windows of opportunity to oppose the regime and, in the process, creates a genealogy of Georgian artistic…

Asia | A Global Museum

Notes on Transshipment

What happens when we cross over to the other side? In relation to the phenomenon of transshipment – the risky and at times illicit practice of transferring cargo from one ship to another – artist and poet Rindon Johnson ruminates on borders and bodies that remain in flux.

Central & Eastern Europe | Transnational Histories and Non-aligned Networks

Vera Pagava: A Miraculous Mirror

This text considers the work of Vera Pagava, a Georgian artist who lived in exile in Paris, as an amalgamation of modernist and Georgian art historic references. Following Pagava’s life story from Tbilisi, where she was born, to Germany and later Paris, where she settled with her family in 1923 and lived until her death in 1988, this essay introduces her work in relation to that of various other Georgian artists, simultaneously tracing her path from figuration to abstraction.

Asia | A Global Museum

Exhibitionary Heritage: The Grid

Treating as insightful case studies the records of miraculous, flower-flurried advents of Mary, Mediatrix of All Grace in the Mindanao Cross, a local newspaper founded by Catholic missionaries in Cotabato City, Mindanao, in 1948, researcher and curator Renan Laru-an initiates the notion of an exhibitionary heritage, articulating this proposition through a self-created grid.

The Americas | One Work, Many Voices

Yente’s Object (1946): Strange Presence

A trailblazing figure in the Southern Cone art scene of the middle decades of the 20th century, Yente (Eugenia Crenovich) has, until recently, received little recognition for her critical contributions to abstraction in Argentina. This essay discusses the context in which the artist realized one of her most unusual pieces, Object (1946), a work of art that defies clear alignment with either painting or sculpture.

The Americas | One Work, Many Voices

The Modernist Gaze and the City: Notes on Photography and Urban Repertoires in São Paulo and Rio de Janeiro in the 1940s and ’50s

This essay is the first in a series of texts on the Foto Cine Club Bandeirante, a group of amateur photographers whose ambitious and innovative works embodied the abundant originality of postwar Brazilian culture. The series coincides with the exhibition Fotoclubismo: Brazilian Modernist Photography, 1946–1964, on view at the Museum of Modern Art from May 8 to September 26, 2021.

The Americas

Looking South: Lincoln Kirstein and Latin American Art

Wartime espionage, and a search for “Latin Americanness” in artistic practices, was the dual mission that sent Lincoln Kirstein to Latin America in the 1940s. This essay charts these travels in relation to shifting currents in artistic languages and geopolitics—and their part in shaping MoMA’s early collection of art from Latin America.