Georgina G. Gluzman (Buenos Aires, 1984) is a Researcher at the National Scientific and Technical Research Council (CONICET) in Argentina. She received her PhD in art history from the Universidad de Buenos Aires in 2015. Gluzman’s work focuses on the art of nineteenth- and early twentieth-century Argentine women artists. She is the author of Trazos invisibles: Mujeres artistas en Buenos Aires (1890–1923), published in 2016. In 2021, she was the guest curator of El canon accidental. Mujeres artistas en Argentina (1890-1950) at the Museo Nacional de Bellas Artes, in Buenos Aires.
A trailblazing figure in the Southern Cone art scene of the middle decades of the 20th century, Yente (Eugenia Crenovich) has, until recently, received little recognition for her critical contributions to abstraction in Argentina. This essay discusses the context in which the artist realized one of her most unusual pieces, Object (1946), a work of art that defies clear alignment with either painting or sculpture.
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