In this text focused on how postcolonial and decolonial processes are reflected in contemporary Ukrainian culture, art historian Svitlana Biedarieva examines methods of decolonizing Ukrainian cultural discourse through the lens of works by contemporary Ukrainian artists—specifically those addressing complex aspects of identity conflicts actualized by Russia’s ongoing war of aggression against Ukraine.
Madeline Murphy Turner analyzes recent artworks by the late Jaider Esbell, a pioneering artist, enabler, and advocate of Indigenous perspectives, environmentalism, and land rights.
In her detailed analysis of Heman Chong’s nearly two-decade-long artistic practice, art historian and curator Kathleen Ditzig contextualizes the ways in which Chong has consistently and intently negotiated with cultural policy and national politics.
This year’s C-MAP seminar series, Transversal Orientations, comprised four panels that took place on Zoom in June 2021. With this text, Dr. Riánsares Lozano de la Pola provides a reflection on Politics of Position, the fourth and final panel of the seminar series with Jeannine Tang, Jaanus Samma, and Irmgard Emmelhainz.
La serie de seminarios C-MAP de este año, Transversal Orientations, estuvo compuesta por cuatro mesas que tuvieron lugar en Zoom en junio de 2021. Con este texto, Dra. Riánsares Lozano de la Pola responde a las presentaciones y a la conversación posterior que tuvieron lugar en la cuarta y última mesa de la serie de seminarios con Jeannine Tang, Jaanus Samma, e Irmgard Emmelhainz.
Neste ensaio, Hlonipha Mokoena oferece uma reflexão contundente e um epílogo de propensão evocatória ao terceiro painel Territórios Emaranhados, com a participação de Sandra Benites, Black Athena Collective e Chie Ikeya.
This year’s C-MAP seminar series, Transversal Orientations, comprised four panels that took place on Zoom in June 2021. In this essay, Dr. Hlonipha Mokoena provides a profound reflection and evocative epilogue to Entangled Terrains, the third panel in the seminar series featuring Sandra Benites, Black Athena Collective, and Chie Ikeya.
This year’s C-MAP seminar series, Transversal Orientations, comprised four panels that took place on Zoom in June 2021. This essay reflects on Acts of Transfer and the Repertoire, the second panel in the seminar series featuring Tsitsi Ella Jaji, Laura Anderson Barbata and Lina Lapelyte.
In this interview, recorded a few months before Davidovich’s passing, curator Ana Janevski talks with the Argentine-American artist about his career, his early days in New York City and Cleveland, and his work Tape Wall Project (1970/1988), recently acquired by MoMA. This is the second of two parts. Read the first part of the interview…
This essay revisits the starting points of the project Communicating Difficult Pasts, which was initiated in 2018 while searching for new ways to artistically and curatorially explore the twentieth-century history of the Baltic region and its ongoing impact.
As art historian Anissa Rahadiningtyas argues, Arahmaiani’s long-term, performative, and community-based work Proyek Bendera (Flag Project) foregrounds a socio-political trinity of feminism, environmentalism, and Islam that cultivates a reparative and egalitarian space of potential.
Hinged on the transversal as a means to engage with and envision new networks and ways of thinking about modern and contemporary art, the 2021 C-MAP seminar series offered an exploration and interrogation of the intertwining of multiple coeval life-worlds through concepts of “extending across.” Included here are abstracts and recordings of the four panels held on Zoom on June 2, 3, 9, and 10.
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