Before Nightfall, a 1981–82 triptych by Nilima Sheikh, imagines a scene unfolding at twilight on the campus of the Faculty of Fine Arts in Baroda, a city in the Indian state of Gujarat (fig. 1).1The name of the city was officially changed to Vadodara in 1974. Since the university was founded prior to then and…
Since the 1990s, the Hindi film industry has undergone several transformations in response to socioeconomic and political changes in India. This is particularly a result of how the Indian nation-state and its film industries have entered into the global market. Though popular Hindi cinema has always circulated internationally through informal, ad hoc networks, during most…
Bombay cinema looms large over media and cinema studies in India even though the history of the Bombay film industry is more recent than the history of film culture in the Subcontinent. The Bombay film industry as we know it today consolidated during the 1950s in the wake of the massive political and economic restructuring…
These presentations and panel discussion at MoMA brought together four filmmakers and artists who work in expanded documentary modes, using existing footage, archival research, interviews, and scripted narratives to produce imaginative accounts of transnational struggles, solidarities, and interventions. Using moving images, some of these practitioners interrogate the anti-colonial and anti-imperialist movements of the mid-late 20th…
Kavita Singh was a distinguished and beloved art historian, curator, and pedagogue. She passed away in New Delhi on July 30, 2023, following a brave battle with cancer. In this 5 Questions interview, conducted when she visited The Museum of Modern Art as a C-MAP Asia speaker in 2016, Singh shared her critical insights into questions of canonicity, location, representation, and translation in the era of globalization.
Balkrishna Vithaldas Doshi (1927-2023) was a pioneer of architectural modernism in India, and the first architect from the region to be awarded the Pritzker Prize in 2018. His work was prominently featured in the 2022 MoMA exhibition, The Project of Independence: Architectures of Decolonization in South Asia, 1947–1985, during which he participated in an online conversation with Martino Stierli, The Philip Johnson Chief Curator of Architecture and Design. Following Doshi’s passing at the age of 95, in January 2023, we are publishing this wide-ranging conversation accompanied by Stierli’s reflection on the architect’s life and legacy.
vqueeram and Vishal Jugdeo reflect on their film Does Your House Have Lions (2021), which was screened earlier this year as part of Doc Fortnight 2022: MoMA’s Festival of International Nonfiction Film and Media.
The ongoing COVID crisis in India has affected every aspect of daily life and every segment of Indian society. From her vantage point in Delhi, world-renowned photographer Dayanita Singh provides a first-person account of the realities of the current situation, her knowledge of its effects on her colleagues in arts communities, and indicates what and where help is most urgently needed.
Mrinalini Mukherjee’s work does not easily fit any neat categories, whether “Post-Minimalism,” “Fiber art” or “craft.” Considering Yakshi (1984) in MoMA’s reinstalled galleries, the essay highlights the influence of her cultural background on her methods and materials.
The Indian artist Sudhir Patwardhan is chiefly a painter in the realist tradition moving between images of the city, inhabitants, and milieu.
This text is a reimagined transcription of a series of conversations between Prabha Sahasrabudhe and Indira Gandhi that took place in 1960 at the Westbury Hotel in New York City.The reason for their meetings was to discuss bringing an adaptation of MoMA’s Children’s Art Carnival to India.
Mulk Raj Anand is perhaps best remembered as a cultural critic, writer, philosopher, and patron of the arts. But Rashmi Viswanathan turns her attention to his lesser known initiative to establish India’s First Triennale of Contemporary World Art in 1968. This essay explores Anand’s optimistic use of the triennale to shift international cultural relations and…
