December 5, 2018
Cultural theorist Mieke Bal discusses her writing devoted to Nalini Malani’s Shadow Plays, multi-dimensional artworks that draw from different cinematic technologies and disparate repositories of images.
While traveling with the C-MAP Bombay/Mumbai research group this past March, MoMA colleagues Caitlin Ryan, Ananya Sikand, and I visited the home of photographer Ketaki Sheth in Malabar Hill, Mumbai, where she shared with us a project she was then in the final stages of preparing. On the apartment’s long table, she laid out recently-printed…
aqui Thami is a Thangmi woman of the Kiratimma first peoples of the Himalayas. Her practice positions art as a medium of healing in community, grounded in social exchange, participation, and collaboration. Spanning ceremonial interventions, performance, drawing, zine-making, fly-posting, and public intervention, her interdisciplinary work is often self-funded and collectively realized. Her artistic pursuits are…
Rajyashri Goody (b. 1990) queries food and water politics, Ambedkarite Buddhist practices, literacy and Dalit literature, and mobility and place-making in the context of caste-based violence and Dalit resistance in India. She works primarily with paper pulp, clay, text, photography, and printmaking. What follows is an abbreviated account of Goody’s session with the C-MAP Bombay/Mumbai Group.…
