2010s

post Presents: Unsettled Dust—Archives, Epistemologies, Images

These presentations and panel discussion at MoMA brought together four filmmakers and artists who work in expanded documentary modes, using existing footage, archival research, interviews, and scripted narratives to produce imaginative accounts of transnational struggles, solidarities, and interventions. Using moving images, some of these practitioners interrogate the anti-colonial and anti-imperialist movements of the mid-late 20th…

Araya Rasdjarmrearnsook’s Relational Tableaux 

Articulations of the relational have been shifting in parallel with the recent turn in global contemporary art toward validating ecological and indigenous practices. This shift invites a consideration of what exactly constitutes the relational among artistic and curatorial efforts within the global contemporary. And among Southeast Asian exemplars, the multimedia practice of artist Araya Rasdjarmrearnsook…

In Memoriam: Kavita Singh (1964-2023)

Kavita Singh was a distinguished and beloved art historian, curator, and pedagogue. She passed away in New Delhi on July 30, 2023, following a brave battle with cancer. In this 5 Questions interview, conducted when she visited The Museum of Modern Art as a C-MAP Asia speaker in 2016, Singh shared her critical insights into questions of canonicity, location, representation, and translation in the era of globalization.

In Memoriam: Balkrishna V. Doshi (1927- 2023)

Balkrishna Vithaldas Doshi (1927-2023) was a pioneer of architectural modernism in India, and the first architect from the region to be awarded the Pritzker Prize in 2018. His work was prominently featured in the 2022 MoMA exhibition, The Project of Independence: Architectures of Decolonization in South Asia, 1947–1985, during which he participated in an online conversation with Martino Stierli, The Philip Johnson Chief Curator of Architecture and Design. Following Doshi’s passing at the age of 95, in January 2023, we are publishing this wide-ranging conversation accompanied by Stierli’s reflection on the architect’s life and legacy.

Calling the Earth to Witness

In relation to the Māravijaya, an occurrence in the Buddha’s life, and Letters from Panduranga, a video work by artist Nguyễn Trinh Thi, art historian Ashley Thompson discusses ideas of land, gender, and colonial history. Thompson’s essay is accompanied by a two-week screening of select clips from Nguyễn’s video work.

Decolonization and Disentanglement in Ukrainian Art

In this text focused on how postcolonial and decolonial processes are reflected in contemporary Ukrainian culture, art historian Svitlana Biedarieva examines methods of decolonizing Ukrainian cultural discourse through the lens of works by contemporary Ukrainian artists—specifically those addressing complex aspects of identity conflicts actualized by Russia’s ongoing war of aggression against Ukraine.