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Samantha Friedman comments on the importance of the work in the development of Brazilian modern art.

Budapest-based art historians and curators Maja and Reuben Fowkes comment on the need for a more planetary, as opposed to global, model of art

Acha established himself as a vigorous critical voice in Peru at a time when Conceptualist artistic approaches and political events such as the riots and military coup of 1968 strongly inflected the local art scene.

Members of MoMA’s C-MAP Central and Eastern European group reflect on their research trip to Warsaw and Łódź, Poland and Berlin, Germany, which took place in late May / early June, 2016. Over the course of a week, the 14 travelers met with over 70 individuals, including artists, curators, dealers, and art historians; conducted two…

Rashid Rana discusses curatorial plans for the inaugural Lahore Biennale with Glenn D. Lowry, Director of MoMA.

Twenty images of artworks and related materials by the Slovene group OHO from the MoMA Archives have been digitized and made accessible here.

In 2016, The Museum of Modern Art received a major gift from the Colección Patricia Phelps de Cisneros, which added more than 100 works of modern art by major artists from Latin America to the Museum’s collection and established the Patricia Phelps de Cisneros Research Institute for the Study of Art from Latin America.

The Museum of Modern Art has just received what is arguably one of the most transformative donations in its history: more than one hundred modern works produced by thirty-seven Latin American masters, which have entered the collection through the generosity of the Colección Patricia Phelps de Cisneros. This theme was developed to share information about…

Ana Janevski interviews the Croatian artist Mladen Stilinović in his apartment in Zagreb in March 2013 during the C-MAP Central and Eastern European group trip to Novi Sad, Belgrade, Ljubljana and Zagreb.

Miguel A. López, curador y escritor, da una mirada a los textos tempranos de Juan Acha, quien se consolidó como una voz crítica y vigorosa en Perú, en tiempos en que la escena artística local estaba siendo fuertemente influenciada por las prácticas conceptualistas, los disturbios politicos y el golpe military de 1968. Read the essay…

Renowned Chilean critic Adriana Valdés talks about the Chilean art scene during the dictatorship and about the work of Eugenio Dittborn.

In the third and final part of this multi-section essay, art historian Ksenya Gurshtein addresses OHO Group’s work in the year 1970.