“I Didn’t Invent the Map.” A Conversation with Anna Bella Geiger

October 21, 2014

In this interview, the artist Anna Bella Geiger explores the development of her production from early neo-figuration and her “visceral” works, to more experimental tendencies from the late 1960s onward. She talks about photographs taken on the subway during her time in New York City, works that engage unusual mediums such as bread bags and postcards, and explores how the theme of mapping and cartography has informed her work throughout her long career. The interview took place at the artist’s home and studio in Rio de Janeiro in November 2012.

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Poema Colectivo 2014

“Would you have participated in this activity if it was truly revolutionary?” The Poema Colectivo 2014 project invited a group of artists from Mexico to create a new “collective poem” for today based on the 1981 project Poema Colectivo Revolución. Each invited artist was asked to nominate another friend to join the project. With many thanks…

Multiple Authors

East Asia | A Global Museum

Shinohara Ushio’s Dialogue with American Art: From Imitation Art to Pop Ukiyo-e

“American art that lost its glory” was the way Shinohara Ushio summed up Twenty Years of American Painting, an exhibition sent to Tokyo by New York’s Museum of Modern Art in 1966. Just two years earlier, Shinohara had been an enthusiastic “imitator” of American artists, copying works by the likes of Jasper Johns, Robert Rauschenberg, and…

Hiroko Ikegami

East Asia | A Global Museum

Lost in Translation? “Twenty Questions to Bob Rauschenberg”

Was Robert Rauschenberg’s 1964 visit to Tokyo a case of cultural exchange or of cross-cultural discommunication? The question is central to this account of Gold Standard, a “combine” that Rauschenberg created during an event at Tokyo’s Sōgetsu Art Center in November of that year. Originally planned by the critic Tōno Yoshiaki as a public interview…

Hiroko Ikegami

Poema Colectivo 2014

Shinohara Ushio’s Dialogue with American Art: From Imitation Art to Pop Ukiyo-e

Lost in Translation? “Twenty Questions to Bob Rauschenberg”

post Presents: Assemblies in Uncertain Times

Learning with Dolls in the Work of Jaune Quick-to-See Smith

Catholic and Popular Mysticism in Brazilian Modern Art: The Quest for Maria Eugênia Franco’s Critique of Sacred Representations / Misticismo católico e popular na arte moderna brasileira: a busca da crítica de Maria Eugênia Franco às representações sacras