Restitution and Return

The discussion raises contemporary questions of restitution of cultural property taken during periods of colonial expansion. Curator Sean Anderson discusses the challenges of the repatriation of monuments and the protocols of repair; artist Kader Attia explores models of repair that do not aspire to erase the inherent injury but rather embody new forms of resistance; and professor of philosophy Souleymane Bachir Diagne addresses the translation of objects from objects of ethnographic curiosity to artworks and how a material return can occasion resocialization and transformation.

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Documenting Migration in Contemporary Art: Bouchra Khalili’s The Mapping Journey Project

How to raise awareness of the most recent refugee crisis in the Mediterranean in a way that does not spectacularize human suffering? Beginning with Bouchra Khalili’sThe Mapping Journey Project, this essay addresses how the present crisis has manifested as image and has made its way, across a variety of methodological and ethical approaches, into works of…

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Rosine Mbakam, in Her Own Words

In 2007, at age twenty-seven, having already spent several years directing and editing audiovisual programs for broadcast, Rosine Mbakam left her native Cameroon to attend film school in Belgium. Here, Mbakam reflects on her experience in a conversation with Sophie Cavoulacos, Assistant Curator in the Department of Film at The Museum of Modern Art.

Transversal Orientations

Hinged on the transversal as a means to engage with and envision new networks and ways of thinking about modern and contemporary art, the 2021 C-MAP seminar series offered an exploration and interrogation of the intertwining of multiple coeval life-worlds through concepts of “extending across.” Included here are abstracts and recordings of the four panels held on Zoom on June 2, 3, 9, and 10.