Exhibitionary Heritage: The Grid

Treating as insightful case studies the records of miraculous, flower-flurried advents of Mary, Mediatrix of All Grace in the Mindanao Cross, a local newspaper founded by Catholic missionaries in Cotabato City, Mindanao, in 1948, researcher and curator Renan Laru-an initiates the notion of an exhibitionary heritage, articulating this proposition through a self-created grid.

Yente’s Object (1946): Strange Presence

A trailblazing figure in the Southern Cone art scene of the middle decades of the 20th century, Yente (Eugenia Crenovich) has, until recently, received little recognition for her critical contributions to abstraction in Argentina. This essay discusses the context in which the artist realized one of her most unusual pieces, Object (1946), a work of art that defies clear alignment with either painting or sculpture.

A storytelling institution immersed in the narratives of Russia’s history and contemporaneity

In an effort to consider the varied impacts of COVID-19—a virus with a global reach—post has interviewed curators and directors from vital museums and galleries around the world about how the pandemic has affected their ideas regarding programming, civic engagement, and the role of the institution. This interview is with Katerina Chuchalina.

Banana Craze: María José Argenzio and Oscar Figueroa Chaves on the Impact of the Banana Market in Ecuador and Costa Rica

Starting with an examination of the impact of the global banana market on Latin America, this text analyzes the work of María José Argenzio and Óscar Figueroa Chaves, two artists who expose how multinational corporations operating in Latin America have benefited from monoculture and extraction practices in the region.