Geta Brătescu, whose career began in the 1960s and continues until today, is a pivotal figure in the history of post-war Romanian art. Working under the repressive political regime of Nicolae Ceauşescu for a large part of her career, Brătescu, developed a body of work that reflects the conditions of its production. Largely (though not…
The Sogetsu Art Center (SAC) in Tokyo was a major hub for avant-garde activities between 1958 and 1971, a period of concentrated energy for the experimental arts in Japan. Artists, musicians, designers, critics, writers, and performers gathered at the SAC to test out new experimental practices and to engage in dialogue about new directions in…
Speaking with Christophe Cherix, The Abby Aldrich Rockefeller Chief Curator of Prints and Illustrated Books, Geta Brătescu shares her understanding of drawing and speaks of the importance of personal space for her creative practice, offering an insight into her technique. She discusses her fascination with Charlie Chaplin, which led to the creation of her best-known…
As environmental and media ecologies changed drastically in 1960s urban Japan, how did artists respond to rapid growth and prosperity, and to their byproducts and side effects?
Shiomi Mieko, artist, composer, and Fluxus member, graciously welcomed C-MAP members into her home in a quiet residential neighborhood in Minoo, Osaka.
