Materiality Against the Grain: Conspiratorial Materialisms and Afro-Diasporic Arsenal / Materialidad a contrapelo: materialismo conspiratorio y arsenal afrodiaspórico

On Conspiratorial Materialisms Firearms, Molotov cocktails, flags, and banners are some of the objects in an arsenal of protests and revolts. Alongside clenched fists and enraged bodies, these objects form an imaginary of human gestures associated with the uprising. Art historian and curator Georges Didi-Huberman dedicated the exhibition Uprisings (2016–17) to this theme, assembling artworks…

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Ukrainian Museums in Wartime: Olesia Ostrovska-Liuta and Yuliya Vaganova in conversation with Jason Farago

This conversation, which took place as a collaboration between the International Program and Research Programs at MoMA, featured presentations by the directors of two important art museums in Kyiv on the crises faced by their institutions since the Russian invasion in February 2022. The National Art and Culture Museum Complex Mystetskyi Arsenal (Art Arsenal) is…

Performative Gestures and Limits of Resistance in Armenian Contemporary Art (1987–2008), Part III

The Fragile Body and the Damaged Subject: A Decade of Crisis and Resistance (1998–2008) If in the early to mid-1990s, performative actions in Armenia were, to a large extent, launched by situational or strategic collectives and groups as interventions—as correctives to institutional operations of the state and the artworld—and motivated by the desire to communicate…

post Presents: Unsettled Dust—Archives, Epistemologies, Images

These presentations and panel discussion at MoMA brought together four filmmakers and artists who work in expanded documentary modes, using existing footage, archival research, interviews, and scripted narratives to produce imaginative accounts of transnational struggles, solidarities, and interventions. Using moving images, some of these practitioners interrogate the anti-colonial and anti-imperialist movements of the mid-late 20th…

Beyond the Modern Architect: La Pyramide, African Labor, and Rinaldo Olivieri’s Lens in Abidjan

In this essay, Guillermo S. Arsuaga presents a critical examination of architectural modernism through the lens of one of the most renowned examples of modern architecture in Africa: La Pyramide designed by Italian architect Rinaldo Olivieri in Abidjan, Côte d’Ivoire (Ivory Coast). His meticulous study of Olivieri’s unique photographic record of the project, the focus…

Montien Boonma: The Shape of Hope

Invocation of Montien Boonma (1953–2000) almost always arrives in the form of an elegy. Best known for meditative sculptural installations that incorporate herbal medicines and earthy fragrances, he was a rising star of the international biennial circuit before an untimely death from cancer at the age of forty-seven. For many curators and critics who came…

Performative Gestures and Limits of Resistance in Armenian Contemporary Art (1987–2008), Part I

Series Introduction This series of three articles presents a selection of the performative practices in Armenian art in the late-Soviet and post-Soviet periods, practices that would herald the separation of nonofficial artists from the official Soviet cultural discourses and practices, and subsequently, in the 1990s, mark the institutionalization of nonofficial or semiofficial art as “contemporary…