As MoMA prepares to open the exhibition Uneven Growth: Tactical Urbanisms for Expanding Megacities, the exhibition’s curator Pedro Gadanho lays out the active curatorial model of the exhibition. He calls for a renovation in the ways that audiences engage with the crucial issues of uneven urban growth, reflecting on the outcomes and potentials of extended collaborations…
David Harvey’s essay for the exhibition catalog of Uneven Growth Tactical Urbanisms for Expanding Megacities is published here on post to mark the opening of the exhibition. On the night of June 20, 2013, more than a million people in some 388 Brazilian cities took to the streets in a massive protest movement. The largest of these protests, comprising…
In this seminar Nelson Brissac reviews artists’ interventions into the city of São Paulo as part of his Arte/Cidade project, and reveals some of the issues that characterize its inhabitants’ everyday experiences and perception. Touching upon the 2014 World Cup and Brazil’s widespread urban protests, Brissac introduces extraordinary artist projects by Vito Acconci, Rubens Mano,…
Governed by a unique “Right to Shelter” mandate, New York is distinct from other municipalities across the U.S. in its legal provisions for temporary housing assistance. While this constitutional right may provide some relief for homeless New Yorkers, the extra-legal reality is that the cost of shelter has forced far greater segments of the City’s…
We cannot always quantify change; is Istanbul changing very fast? … too fast? To document and archive in a place that has a habit of describing itself as “in flux” is of immense importance; we rely on the stories we record and tell to create a collective memory. We thank the individuals and institutions that…
Ethnomusicologist David Novak brings you to the noisy scenes of Japan’s 2012 antinuclear protest movement in Tokyo, Osaka, and Fukushima, mixing commentary with field recordings, musical examples, and interviews about the role of arts and culture in the ongoing political crisis.
