The Multiplication of Perspectives: Restitution and Return

The discussion raises contemporary questions of restitution of cultural property taken during periods of colonial expansion. Curator Sean Anderson discusses the challenges of the repatriation of monuments and the protocols of repair; artist Kader Attia explores models of repair that do not aspire to erase the inherent injury but rather embody new forms of resistance; and professor of philosophy Souleymane Bachir Diagne addresses the translation of objects from objects of ethnographic curiosity to artworks and how a material return can occasion resocialization and transformation.

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Documenting Migration in Contemporary Art: Bouchra Khalili’s The Mapping Journey Project

How to raise awareness of the most recent refugee crisis in the Mediterranean in a way that does not spectacularize human suffering? Beginning with Bouchra Khalili’sThe Mapping Journey Project, this essay addresses how the present crisis has manifested as image and has made its way, across a variety of methodological and ethical approaches, into works of…

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A Painting in Pieces: The Defacing of Younousse Seye’s Mame Coumba Bang

On February 1, 1974, the Senegalese newspaper Le Soleil published a shocking headline: “Younousse’s Slashed Painting: A Simple Matter of Scissors.” According to the article, Senegalese artist Younousse Seye (b. 1940) discovered that her painting Mame Coumba Bang (n.d.) had been vandalized as she guided Ethiopian visitors around the second Salon des artistes sénégalais at…