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Fernando Bruno analiza la relación entre pintura y escritura en la obra de la artista argentina Mirtha Dermisache a finales de los sesenta y setenta, examinando el modo particular en que ésta se articula con algunas tendencias del arte argentino de la época.

Fernando Bruno analyzes the particular relationship between painting and writing in the work of Argentine artist Mirtha Dermisache, examining the specific ways in which it contrasts with some of the most significant artistic tendencies at the end of the sixties and seventies in Argentina.

Jon Hendricks records his impressions from a research trip to Berlin and cities of the former East Germany, made with members of the C-MAP group for Central and Eastern Europe in June 2018. He highlights artists and works made in the GDR that particularly impressed him.

A major new publication, Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology, presents key voices of this period that have been reevaluating the significance of the socialist legacy, making it an indispensable read on modern and contemporary art and theory. The following dialogue belongs to a series of conversations between artists and members of the C-MAP research group for Central and Eastern Europe at MoMA.

Cara Manes on Sheela Gowda’s complex and multidisciplinary practice.

Alfred H. Barr, Jr. made a trip to Russia in 1927-28 to investigate the avant-garde, meeting with several Vkhutemas faculty while he was there.

Sarah Meister explores photography’s capacity to represent temporal dislocations.

How does art history deal with the radical diversity of objects it encompasses?

This essay argues that the Bauhaus and VKhUTEMAS operated independently of each other, with choice moments of mutual exchange, focusing on the site of the avant-garde magazine as evidence of this.

A major publication, Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology, presents key voices of this period that have been reevaluating the significance of the socialist legacy.

The sculptures of Congolese artist Bodys Isek Kingelez (1948-2015) offer a vision of a future modernity that is beautiful, harmonious, and functional.