When Jean Arp’s Form Met Communist Function in a GDR Motorcycle
Karl Clauss Dietel conceived a motorcycle in the GDR in 1967. As a result of its flexible design principles, it still runs today.
Karl Clauss Dietel conceived a motorcycle in the GDR in 1967. As a result of its flexible design principles, it still runs today.
Waldemar Cordeiro’s work shifts from his involvement with Concrete Art in São Paulo (of which he was one of the central artists, critics, and curators), to landscape design, a unique take on Pop Art through his “Popcretos,” and his final 1970s experiments with computer art. Cordeiro’s 1970s works were produced while Brazil was ruled by a military dictatorship that was skilled and innovative in its manipulation of mass media to control society and manage dissent.
Ram Rahman (photographer, designer, curator and activist) discusses key examples of modernist architecture in post-colonial India. Using photographic documentation and archival materials, he surveys the landscape of architects, designers, photographers, entrepreneurs, and intellectuals working (primarily in New Delhi) between the 1950s and 1990s. This presentation is excerpted from a closed-door session with MoMA’s C-MAP Asia…
Art historian Daniel Quiles focuses on examples from the Transmissions exhibition to show how Argentine conceptualists of the late 60s converted information from one medium to another. This phenomenon shifted to the transmission of social and political information, causing artistic practices to leave national borders and connect beyond the region. One of the earliest Argentine…
While going through MoMA’s Czech holdings during my Fulbright Research Fellowship at the Museum, I came across a surprising finding: the first Czech objects ever acquired by MoMA were a glass tumbler and two bowls designed by a young student, Věra Lišková (1924–1979) circa 1947, when Czechoslovakia was still part of the industrialized Western world.…
Iako raspuštena vec desetljeće nakon svog osnivanja u kasnim 50-im godinama 20. stolječa u bivšoj Jugoslaviji, grupa Gorgona još uvijek fascinira. Od njihove prve izložbe 1977. godine, generacije umjetnika i povjesničara umjetnosti iz Istočne Europe smatrali su da je kratkotrajno umjetničko djelovanje ove grupe temelj kasnijeg razvoja konceptualizma koji je u šezdesetim godinama cvjetao u…