In this interview, conducted when Jarosław Kozłowski visited MoMA to meet with C-MAP Central and Eastern Europe, the artist speaks about the past challenges of communicating across the Iron Curtain, his continuing fascination with language as an art medium as well as what he sees as the danger of a solely political reading of art.
In this segment of the theme “Global Conceptualism Reconsidered,” the curators of the exhibition Global Conceptualism: Points of Origin, 1950s–1980s reflect upon their experiences organizing the exhibition. In the following interviews, they address the origins of the exhibition’s concept, the challenges faced in defining and presenting the variety of conceptualisms across the exhibition’s many international subsections, and…
The posters, invitations, programs, and flyers in this selection have been selected to highlight the international range of Fluxus events from 1962 to 1977 and represent some of the most significant among them.
One of the many intercontinental relationships to arise from Fluxus in the second half of the 1960s was the one between Milan Knížák and Ken Friedman, the two directors of Fluxus East and Fluxus West, respectively. When, in the 1980s, Dick Higgins and Ken Friedman outlined the basic ideas of Fluxus,1Dick Higgins, “Fluxus: Theory and…
This essay concerns the “south of the south, the south of South America,” written from the north of the north, the north of North America. Drafted from a position of physical distance between author and subject, and troubled by the power dynamics of north gazing south, this selection…
We live in a world of unedited images. Pictures are present in our most private chambers and on the most public social-media platforms. Photography is without question the lingua franca of our time, even if the nature and ubiquity of photographs have been marked by a turn toward digital means of capturing and storing images.…
In this segment of the theme “Global Conceptualism Reconsidered,” the curators of the exhibition Global Conceptualism: Points of Origin, 1950s–1980s reflect upon their experiences organizing the exhibition.
In this interview conducted during a C-MAP research trip to Belgrade in the spring of 2012, Vučićević speaks to Jon Hendricks and Gretchen Wagner about both art and life.
Renowned Chilean critic Adriana Valdés visited the Museum in April 2015 to speak to the C-MAP Latin America group about the Chilean art scene and the work of Eugenio Dittborn. During her visit, she generously agreed to record a video interview and share her thoughts and memories of the Chilean art world before and after…
This informal conversation took place in March 2015 in Nalini Malani’s studio in Mumbai during a C-MAP trip to India. Gayatri Sinha and Stuart Comer talked to Malani about her practice, spanning from the 1960s to the 1990s. The discussion focused on Malani’s early lens-based experiments, her interest in psychoanalysis, her activities in the 1980s…
In the shadow of the Brazilian military dictatorship, Regina Silveira pursued an elusive art, by necessity and by design. Absence and isolation, illusion and distortion were not only promising artistic strategies, but also richly meaningful metaphors in an era of severe political repression. Trained as a painter and printmaker in her native Porto Alegre, Silveira…
Anna Maria Maiolino (Brazilian, born Italy, 1942) refers to Trajetória I (1976) as a “Book Object,” a term that aptly describes the way it combines aspects of a book with those of a sculpture. Although comprised of eleven folios of black, white, and red papers bound into a black paper cover, it does not include text or…
