The posters, invitations, programs, and flyers in this selection have been selected to highlight the international range of Fluxus events from 1962 to 1977 and represent some of the most significant among them.
One of the many intercontinental relationships to arise from Fluxus in the second half of the 1960s was the one between Milan Knížák and Ken Friedman, the two directors of Fluxus East and Fluxus West, respectively. When, in the 1980s, Dick Higgins and Ken Friedman outlined the basic ideas of Fluxus,1Dick Higgins, “Fluxus: Theory and…
Professor at the Lithuanian Conservatory of Music in Vilnius and scholar of the early 20th-century composer and painter Mikalojus Konstantinas Čiurlionis, Vytautas Landsbergis connected with the international Fluxus community in the 1960s via his childhood friend George Maciunas. As a result, he corresponded also with Ken Friedman in California and Mieko Shiomi in Tokyo, and…
Aktualní umêní (Contemporary Art), a rare, hand-assembled magazine by the Czech artists’ group of the same name, began production in late 1964. Here, the first two issues are reproduced in their entirety for the first time, along with a unique prototype for the second issue, which offers an exceptional opportunity to compare plans and the final realization.
Czech artist Běla Kolářová was a key figure in Prague’s intellectual circles in the decade of the 1960s, a time of great optimism in Soviet-bloc Czechoslovakia, one of both relative political freedom and cultural searching. The home she shared with her partner, the artist and poet Jiří Kolář, was the center of a progressive artistic…
In this segment of the theme “Global Conceptualism Reconsidered,” the curators of the exhibition Global Conceptualism: Points of Origin, 1950s–1980s reflect upon their experiences organizing the exhibition.
In this interview conducted during a C-MAP research trip to Belgrade in the spring of 2012, Vučićević speaks to Jon Hendricks and Gretchen Wagner about both art and life.
The book Striptease by Sonia Švecová (Czech, born 1946) is one of many little-known gems within the Gilbert and Lila Silverman Fluxus Collection Gift at MoMA . Švecová was born in 1946 in the former Czechoslovakia and was a central figure in Aktualní Umeni (also known as Aktual Art or simply Aktual), a small group of artists based in…
Renowned Chilean critic Adriana Valdés visited the Museum in April 2015 to speak to the C-MAP Latin America group about the Chilean art scene and the work of Eugenio Dittborn. During her visit, she generously agreed to record a video interview and share her thoughts and memories of the Chilean art world before and after…
Tomislav Gotovac—the influential avant-garde filmmaker, conceptual artist, and anarchist leader of Croatian performance art—occupies an authorial position within the alternative New Art Practice of the late 1960s in the former Yugoslavia. After studying film directing at the Academy of Theater, Film, Radio, and Television in Belgrade, Gotovac made his first experimental films, inaugurating the golden…
Zero Jigen (Zero Dimension), a performance collective active in the 1960s in Tokyo and Nagoya, Japan, has only recently become better known in the international art world through the following exhibitions and content: Tokyo 1955–1970: A New Avant-Garde (The Museum of Modern Art, New York, 2012–13) with screenings of the group’s performance documents; Great Crescent: Art and Agitation…
This informal conversation took place in March 2015 in Nalini Malani’s studio in Mumbai during a C-MAP trip to India. Gayatri Sinha and Stuart Comer talked to Malani about her practice, spanning from the 1960s to the 1990s. The discussion focused on Malani’s early lens-based experiments, her interest in psychoanalysis, her activities in the 1980s…
