1960s

In this interview conducted during a C-MAP research trip to Belgrade in the spring of 2012, Vučićević speaks to Jon Hendricks and Gretchen Wagner about both art and life.

The book Striptease by Sonia Švecová (Czech, born 1946) is one of many little-known gems within the Gilbert and Lila Silverman Fluxus Collection Gift at MoMA . Švecová was born in 1946 in the former Czechoslovakia and was a central figure in Aktualní Umeni (also known as Aktual Art or simply Aktual), a small group of artists based in…

Renowned Chilean critic Adriana Valdés visited the Museum in April 2015 to speak to the C-MAP Latin America group about the Chilean art scene and the work of Eugenio Dittborn. During her visit, she generously agreed to record a video interview and share her thoughts and memories of the Chilean art world before and after…

Tomislav Gotovac—the influential avant-garde filmmaker, conceptual artist, and anarchist leader of Croatian performance art—occupies an authorial position within the alternative New Art Practice of the late 1960s in the former Yugoslavia. After studying film directing at the Academy of Theater, Film, Radio, and Television in Belgrade, Gotovac made his first experimental films, inaugurating the golden…

Zero Jigen (Zero Dimension), a performance collective active in the 1960s in Tokyo and Nagoya, Japan, has only recently become better known in the international art world through the following exhibitions and content: Tokyo 1955–1970: A New Avant-Garde (The Museum of Modern Art, New York, 2012–13) with screenings of the group’s performance documents; Great Crescent: Art and Agitation…

This informal conversation took place in March 2015 in Nalini Malani’s studio in Mumbai during a C-MAP trip to India. Gayatri Sinha and Stuart Comer talked to Malani about her practice, spanning from the 1960s to the 1990s. The discussion focused on Malani’s early lens-based experiments, her interest in psychoanalysis, her activities in the 1980s…

In 1959, the year he founded Gorgona with his friends and colleagues, Josip Vaništa staged a solo exhibition in Zagreb of his drawings from the 1950s. A black-and-white photograph commemorates the occasion; it shows three framed works on the wall, studied by three female visitors. The drawing on the left suggests the moody, delicate, somewhat…

post asked the artist and critic Luis Camnitzer, one of the project directors of Global Conceptualism: Points of Origin, 1950s–1980s, to respond to some basic questions about the exhibition. In this interview he talks about how the show evolved. He also addresses how the organizers dealt with critical issues such as the differences between “Conceptual…

Rachel Weiss, curator, writer, and professor at the School of the Art Institute of Chicago, was invited to MoMA to speak about the exhibition Global Conceptualism: Points of Origin, 1950s–1980s, which she co-organized in 1999 with Jane Farver (who also came to talk on the subject), Luis Camnitzer, and an international team of curators: Okwei Enwezor,…

Jane Farver, curator and former Director of Exhibitions at the Queens Museum, was invited to MoMA to speak about the exhibition Global Conceptualism: Points of Origin, 1950s–1980s, which she co-organized in 1999 with Rachel Weiss (who also came to present on the subject), Luis Camnitzer, and an international team of curators: Okwui Enwezor, Reiko Tomii &…

John Cage and David Tudor visited Japan in October 1962 at the invitation of the Sogetsu Art Center (SAC). Over the course of the month they gave seven concerts in Tokyo, Kyoto, Osaka, and Sapporo, causing a sensation that would become known as “the John Cage shock.”

At what moment did artists in Korea show work that was considered experimental, underground, and contemporary? How are the first Korean Happenings, from the late 1960s, seen from today’s perspective? These questions were addressed by Kim Mikyung at a C-MAP presentation at The Museum of Modern Art in April 2014. Her talk, published below, surveys…