Dr. Portia Malatjie is a Senior Lecturer in Visual Cultures at the University of Cape Town. She is Adjunct Curator of Africa and African Diaspora at Tate Modern and Adjunct Curator at the Norval Foundation, Cape Town. Her research looks at African conceptions of Blackness through African sonic and spiritual praxes.
Taking as her point of departure the kiondo, and the acknowledgment of the multiple forms technology can take, this essay focuses on Wangechi Mutu’s generative re-imagination and re-inscription of the foundational figure of Eve.
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