A Death Sentence Is a Precondition for More Life
Joshua Chambers-Letson extrapolates antinomies from Danh Vo’s Death Sentence, a work on paper in MoMA’s collection, in particular the coexistence of values related to life and death.
Joshua Chambers-Letson is Professor of Performance Studies and Asian American Studies at Northwestern University and author of After the Party: A Manifesto for Queer of Color Life (winner of the 2019 Outstanding Book Award from the Association of Theatre in Higher Education and the 2019 Erroll Hill Award from the American Society for Theatre Research) and A Race So Different: Law and Performance in Asian America (winner of the 2014 Outstanding Book Award from ATHE); co-editor of José Esteban Muñoz’s The Sense of Brown with Tavia Nyong’o and of Frances Ya-Chu Cowhig’s China Trilogy: Three Parables of Global Capital with Christine Mok; and series co-editor of NYU Press’s Sexual Cultures series with Tavia Nyong’o and Ann Pellegrini. Chambers-Letson is currently at work on a monograph about the art of queer love and loss and is presently the 2022-2023 Thinker in Residence with the Felix Gonzalez-Torres Foundation.
Joshua Chambers-Letson extrapolates antinomies from Danh Vo’s Death Sentence, a work on paper in MoMA’s collection, in particular the coexistence of values related to life and death.
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