A Conversation with Ann Pendleton-Jullian

Architect, astrophysicist, scholar, and Valparaiso-aficionado Ann Pendleton-Jullian talks about Chile, Chilean architecture and landscape, and the “ad hoc, ongoing work of art” that is Ciudad Abierta. Pendletton-Jullian, author of Road that Is Not a Road and the Open City, Ritoque, Chile, visited MoMA to talk to the C-MAP Latin America group about her 28+ year relationship with the methodologies, poetic acts, buildings, and stories behind Ciudad Abierta. While at the Museum, she was in conversation with Barry Bergdoll, Chief Curator Emeritas, and Patricio del Real, curatorial assistant, both part of the the Department of Architecture and Design at MoMA. Here’s a sneak peak at what that conversation was like.

More in this theme

The Archival Impulse: Collecting and Conserving the Moving Image in Asia

Since the 1950s, there has been an active production of experimental film, animation, and video art in Asia. Yet, much of this work has not been consistently conserved or shared with the public due to the lack of accessible archives or organized collections dedicated to its preservation and dissemination. The conference “The Archival Impulse: Collecting…

New Audiences, New Energy: Producing and Exhibiting Contemporary Chinese Art in 1993

Did 1993 mark a watershed for “contemporary Chinese art” in the then increasingly globalized art world? In this essay Peggy Wang discusses exhibitions of contemporary Chinese art held overseas in the year 1993, notably China Avant-Garde in Berlin, China’s New Art, Post-1989 in Hong Kong, and the Venice Biennale. Analyzing various readings of works by artists such as Wang…

Subscribe to our newsletter

Related Content

post Presents: Assemblies in Uncertain Times

This public program brought together Nancy Adajania, May Adadol Ingawanij, and Frida Muenala from Mullu for an evening of inquiry into forms and practices of gathering. The speakers, who represent diverse practices in the cultural fields—from art making to curation to institutional leadership—and operate across vast geographies, unpacked their different approaches to assemblies. Among the…

Catholic and Popular Mysticism in Brazilian Modern Art: The Quest for Maria Eugênia Franco’s Critique of Sacred Representations / Misticismo católico e popular na arte moderna brasileira: a busca da crítica de Maria Eugênia Franco às representações sacras

The following essay by art historian Talita Trizoli reveals the influence of a Catholic and spiritual pathos in the work of influential though relatively unknown Brazilian critic Maria Eugênia Franco. Taking as case studies Franco’s writings on artists such as Samson Flexor, Henri Michaux, and Mestre Nosa and artworks attributed to unrecognized Baroque artisans, Trizoli…