Julia Herzberg in conversation with Catalina Parra

December 4, 2015

After presenting during a C-MAP Latin America session at MoMA, artist Catalina Parra joined independent critic and curator Julia Herzberg for a conversation about her work. Herzberg, long-time researcher of Parra’s production, conducted an interview that went from politics to education and from Chile to Germany, with occasional stops in New York and Buenos Aires. Art under dictatorship, Fluxus, and Feminism seem to coalesce in Parra’s pieces, some of which are discussed in detail during this encounter that we now share with post readers.

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A Conversation with Ann Pendleton-Jullian

Architect, astrophysicist, scholar, and Valparaiso-aficionado Ann Pendleton-Jullian talks about Chile, Chilean architecture and landscape, and the “ad hoc, ongoing work of art” that is Ciudad Abierta. Pendletton-Jullian, author of Road that Is Not a Road and the Open City, Ritoque, Chile, visited MoMA to talk to the C-MAP Latin America group about her 28+ year…

Patricio del Real, Barry Bergdoll and Ann Pendleton‐Jullian

Asia | A Global Museum

The Merce Cunningham Dance Company’s Last Stop in Tokyo, 1964

A close examination of the Merce Cunningham Dance Company (MCDC)’s 1964 stop in Tokyo allows for a better understanding of how mutually significant this encounter was for the Japanese avant-garde and Cunningham and his close collaborators Robert Rauschenberg and John Cage. John now feels that the time is propitious for Merce to undertake not only…

Abigail Sebaly

Asia | A Global Museum

Lost in Translation? “Twenty Questions to Bob Rauschenberg”

Was Robert Rauschenberg’s 1964 visit to Tokyo a case of cultural exchange or of cross-cultural discommunication? The question is central to this account of Gold Standard, a “combine” that Rauschenberg created during an event at Tokyo’s Sōgetsu Art Center in November of that year. Originally planned by the critic Tōno Yoshiaki as a public interview…

Hiroko Ikegami

A Conversation with Ann Pendleton-Jullian

The Merce Cunningham Dance Company’s Last Stop in Tokyo, 1964

Lost in Translation? “Twenty Questions to Bob Rauschenberg”

post Presents: Unsettled Dust—Archives, Epistemologies, Images

Bearing Witness: Martín Chambi’s Campesinos Testifying, Palace of Justice, Cuzco (c. 1929)

forever practice: Julie Tolentino and Kang Seung Lee in conversation

**Bearing Witness: Martín Chambi’s Campesinos Testifying, Palace of Justice, Cuzco (c. 1929)**