Luis Pérez-Oramas, the Estrellita Brodsky Curator of Latin American Art at MoMA, talks with artist Natalia Babarovic about the meaning of painting and its ominous and constant ‘returning.’ Barbarovic also commented on the peculiarities of being a painter in Chile, both in contemporary times and during the years of the dictatorship, and spoke about what…
After presenting during a C-MAP Latin America session at MoMA, artist Catalina Parra joined independent critic and curator Julia Herzberg for a conversation about her work. Herzberg, long-time researcher of Parra’s production, conducted an interview that went from politics to education and from Chile to Germany, with occasional stops in New York and Buenos Aires.…
During the Central and Eastern Europe C-MAP group trip to Moscow in June 2015, the participants met with Ilya Budraitskis, who spoke to them about the crisis facing Russia today and its effects on art and culture. Budraitskis’ argument is presented here alongside drawings by Sveta Shuvaeva, an artist whom the C-MAP Group also met…
Architect, astrophysicist, scholar, and Valparaiso-aficionado Ann Pendleton-Jullian talks about Chile, Chilean architecture and landscape, and the “ad hoc, ongoing work of art” that is Ciudad Abierta. Pendletton-Jullian, author of Road that Is Not a Road and the Open City, Ritoque, Chile, visited MoMA to talk to the C-MAP Latin America group about her 28+ year…
We live in a world filled with images that are captured, edited, and published at hyper speeds, images referring to images. Our political, ethical, and intimate lives are constructed around images, through images, and in images. In situations of war and mass violations of human rights, it is our hyper-mediatized world that creates the typical…
Just a few days into his trip to Moscow in the winter of 1927–28, Alfred Barr wrote in his diary, “Apparently there is no place where talent of an artistic or literary sort is so carefully nurtured as in Moscow. . . . We’d rather be here than any place on earth.”* He went on…
Since the 1950s, there has been an active production of experimental film, animation, and video art in Asia. Yet, much of this work has not been consistently conserved or shared with the public due to the lack of accessible archives or organized collections dedicated to its preservation and dissemination. The conference “The Archival Impulse: Collecting…
Read the english translation here.
The name Ding Yi is associated with the cross, a symbol the artist, designer, and educator has used since the late 1980s in his investigation of abstraction. Ding’s allover painting fields are built from the manual, systematic repetition of horizontal and vertical strokes across a flat, canvas surface. Ding grew up during the Cultural Revolution,…
In March 2015 MoMA’s C-MAP Asia team took a nine-day research trip to Sharjah and three cities in India. This was C-MAP’s very first field trip focused on India, however not the first time MoMA curators have conducted research in the country. Besides the Sharjah Biennial 12: (The Past, the Present, the Possible), the second Kochi…
The C-MAP Latin America research group spent a week in Mexico City in August 2014, visiting the Distrito Federal’s major institutions, flourishing gallery scene, artists’ studios, and architectural sites. The group also celebrated the project Poema Colectivo 2014 and participated in a roundtable at the Museo Universitario de Arte Contemporáneo (MUAC) with Mexico City–based curators. Throughout the…
Renowned Chilean art critic, Adriana Valdés, visited MoMA to talk about the works of Eugenio Dittborn. During her visit, she not only thoroughly discussed the importance and semantic weight of Dittborn’s Airmail Paintings, but she also described the peculiarities of the Chilean art scene, one that Dittborn himself has identified as “a sort of small…
