2010s

Read the english translation here.

The name Ding Yi is associated with the cross, a symbol the artist, designer, and educator has used since the late 1980s in his investigation of abstraction. Ding’s allover painting fields are built from the manual, systematic repetition of horizontal and vertical strokes across a flat, canvas surface. Ding grew up during the Cultural Revolution,…

Renowned Chilean art critic, Adriana Valdés, visited MoMA to talk about the works of Eugenio Dittborn. During her visit, she not only thoroughly discussed the importance and semantic weight of Dittborn’s Airmail Paintings, but she also described the peculiarities of the Chilean art scene, one that Dittborn himself has identified as “a sort of small…

What can “tactical urbanism” offer cities under extreme stress from rapid population growth, intensifying industrial restructuring, inadequate social and physical infrastructures, rising levels of class polarization, insufficiently resourced public institutions, proliferating environmental disasters, and growing popular alienation, dispossession, and social unrest? The current MoMA exhibition Uneven Growth: Tactical Urbanisms for Expanding Megacities aims to explore this question…

Beijing was home to high-energy experimental art practices, including Beijing East Village performances and apartment art, in the 1990s. The practices that were critical of their socio-political context are often referred to today as underground art. How did underground networks function, and how did censorship affect their operation and production? In this conversation, the artists Lin…

The opening performance of the 10th Gwangju Biennale, a powerful piece by Minouk Lim, took place on a rainy afternoon. A helicopter hovered over Biennale Square, where ambulances and buses converged, carrying high school students, relatives of civilian victims of the Korean War, and members of the May Mothers’ House, who lost children in the…

As MoMA prepares to open the exhibition Uneven Growth: Tactical Urbanisms for Expanding Megacities, the exhibition’s curator Pedro Gadanho lays out the active curatorial model of the exhibition. He calls for a renovation in the ways that audiences engage with the crucial issues of uneven urban growth, reflecting on the outcomes and potentials of extended collaborations…

David Harvey’s essay for the exhibition catalog of Uneven Growth Tactical Urbanisms for Expanding Megacities is published here on post to mark the opening of the exhibition. On the night of June 20, 2013, more than a million people in some 388 Brazilian cities took to the streets in a massive protest movement. The largest of these protests, comprising…

What country is Hong Kong? Hong Kong was an island. Hong Kong will become part of China. MAP Office has decided to present Hong Kong is, with the intention of clearly addressing the specific characteristics of this unique city/territory, which is in a state of perpetual transition. Offering a platform to reveal a hidden urbanity, breaking…

In this seminar Nelson Brissac reviews artists’ interventions into the city of São Paulo as part of his Arte/Cidade project, and reveals some of the issues that characterize its inhabitants’ everyday experiences and perception. Touching upon the 2014 World Cup and Brazil’s widespread urban protests, Brissac introduces extraordinary artist projects by Vito Acconci, Rubens Mano,…

Eight years ago I was told the story of two Chinese coolies who had escaped to the Peruvian Amazon, founded a village called El Chino, which means “The Chinese,” and begun a small tapioca business before vanishing mysteriously. I grew curious about what the Chinese were doing in South America, let alone, the rain forest.…

“Would you have participated in this activity if it was truly revolutionary?” The Poema Colectivo 2014 project invited a group of artists from Mexico to create a new “collective poem” for today based on the 1981 project Poema Colectivo Revolución. Each invited artist was asked to nominate another friend to join the project. With many thanks…