Noam M. Elcott writes, teaches, and advises students in the history of modern art and media in Europe and North America, with an emphasis on interwar art, photography, and film. His research and teaching combine close visual analysis with media archaeology and critical theory.
Although postwar Japanese avant-garde art is considered to have ended in the year 1970, Julian Ross contends that projection installations in the 1970s took on many of its characteristics, namely, an engagement with the concepts of “environment,” “intermedia,” and “display.”
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