Inés Katzenstein is Director of the Patricia Phelps de Cisneros Research Institute for the Study of Art from Latin America and Curator of Latin American Art in the Department of Drawings and Prints. Previously, she was the Director of the Department of Art at the Universidad Torcuato di Tella, Buenos Aires. She has written extensively on contemporary art and has curated a number of exhibitions including *Liliana Porter: Photography and Fiction* at Centro Cultural Recoleta, Buenos Aires (2003), and *David Lamelas, Alien, Foreigner, Ètranger, Aüslander* at Museo Rufino Tamayo, Mexico (2005). She has co-curated *Di Tella, an Episode in the History of TV*, Espacio Fundación Telefónica, Buenos Aires (2010), and *Aquella mañana fue como si recuperara si no la felicidad, sí la energía, una energía que se parecía mucho al humor, un humor que se parecía mucho a la memoria*, Parque de la Memoria, Buenos Aires (2013). She was curator of the Argentina Pavillion in the 52nd Venice Biennale, where she presented the project *Guillermo Kuitca, si yo fuera el invierno mismo*. She was also co-curator of Zona Franca, Mercosur Biennial (2007), with projects by Leopoldo Estol and M7red. From 2004–08 she served as curator at Malba-Fundación Costantini, Museo de Arte Latinoamericano de Buenos Aires, where she oversaw the contemporary programming and began the museum’s collection of contemporary Argentinian art. Katzenstein received an MA from the Center for Curatorial Studies, Bard College, New York (2001).
These documents were originally published in print in Listen, Here, Now! Argentine Art of the 1960s: Writings of the Avant-Garde, part of MoMA’s ongoing book series Primary Documents series. This selection is newly compiled by the book’s editor Inés Katzenstein, Director of the Department of Art at the Universidad Torcuato di Tella, Buenos Aires. Sections of the publication…
