Curator, Ensayos
Camila Marambio is curator of Ensayos, and her work with the program has been represented in exhibitions and performances at the Kadist Art Foundation, Paris; the Institute for Art and Olfaction, Los Angeles; BHQFU, New York; Puerto de Ideas, Valparaíso; Festival Cielos del Infinito, Puerto Williams, CL; Kurant, Tromsø, NO; and Psi #22, Melbourne, AU. Currently a PhD Candidate in Curatorial Practice at MADA in Melbourne, Australia, Marambio received an M.A. in Modern Art: Critical Studies at Columbia University and a Master of Experiments in Art and Politics at Science Po in Paris; attended the Curatorial Programme at de Appel Arts Center in Amsterdam; and was Curator at Matucana 100 (Santiago, CL) and Assistant Curator at Exit Art (New York, NY). Her writing has been published in numerous art journals and her co-authored book Slow Down Fast, A Toda Raja with Cecilia Vicuña was published by Errant Bodies Press (2019).
This conference series, organized by the Cisneros Institute, looks at the history of water management in the Americas through the interdisciplinary work of artists, theorists, historians, and local communities.
This conference series, organized by the Cisneros Institute, looks at the history of water management in the Americas through the interdisciplinary work of artists, theorists, historians, and local communities.
This conference series, organized by the Cisneros Institute, looks at the history of water management in the Americas through the interdisciplinary work of artists, theorists, historians, and local communities.
Composed of multiple bodies and body parts, human and animal, Cecilia Vicuña’s Pantera Negra y Yo (Black Panther and Me) doubles a painting that was destroyed and then recreated from memory. It is intimately connected with text, hinting at close connections between past, present, and future.
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