The Absence and Presence of Photography at the Second São Paulo Bienal
Published to coincide with Fotoclubismo: Brazilian Modernist Photography, 1946–1964 at MoMA, art historian Adele Nelson analyzes the Sala de Fotografia, a last-minute, “in-between” and hitherto unexamined exhibition organized by Foto-Cine Clube Bandeirante for the second edition of the São Paulo Bienal.