Karin Zitzewitz, Author at post https://post.moma.org notes on art in a global context Fri, 02 Aug 2024 16:21:15 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.2 https://post.moma.org/wp-content/uploads/2020/05/cropped-favicon-32x32.png Karin Zitzewitz, Author at post https://post.moma.org 32 32 Challenging the Global: C-MAP Experts Respond https://post.moma.org/challenging-the-global-c-map-experts-respond/ Thu, 27 Jul 2017 15:41:57 +0000 https://post.moma.org/?p=2575 During 2016 and 2017, more than 80 scholars, artists, and curators visited MoMA as C-MAP guests. n conjunction with the 5 Questions interview series, we asked them a sixth question: How can MoMA better approach international artistic production and exchange?

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During 2016 and 2017, more than 80 scholars, artists, and curators visited MoMA as guests for the platform Contemporary and Modern Art Perspectives (C-MAP). In conjunction with the 5 Questions interview series, we asked them a sixth question: How can MoMA better approach international artistic production and exchange? Their responses, based on experience in the field and in-depth research, display a wealth of perspectives on this complex question.

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5 Questions with Karin Zitzewitz https://post.moma.org/5-questions-with-karin-zitzewitz/ Tue, 11 Apr 2017 18:29:42 +0000 https://post.moma.org/?p=2514 Karin Zitzewitz discusses significant impulses and influences on art production in South Asia, between the artists' immediate context and practices or discourses of feminism and globalization, which have dominated since the 1980s.

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This 5 Questions interview features Karin Zitzewitz, Associate Professor of Art History and Visual Culture at Michigan State University. Zitzewitz discusses significant impulses and influences on art production in South Asia, between the artists’ immediate context and practices or discourses of feminism and globalization, which have dominated since the 1980s. Further, she underscores the importance of patronage, an under-analyzed category in discussions of contemporary art.

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