Madeline Murphy Turner

Madeline Murphy Turner is an art historian and curator based between New York and Buenos Aires. Her research focuses on contemporary art from Latin America, with a special interest in topics of ecology, women artists, performance, and the other-than-human. She is a Ph.D. Candidate at the Institute of Fine Arts, New York University, where she is finishing a dissertation on artists’ books, mail art, and experimental theater by a network of women artists in 1970s and ‘80s Mexico City. She is currently a research participant in the Getty Foundation Connecting Art Histories program “Narrating Art and Feminisms: Eastern Europe and Latin America.” From 2019 to 2022 she was the Cisneros Institute Research Fellow at the Museum of Modern Art, New York, and from 2017 to 2018 the Graduate Curatorial Assistant at the Grey Art Gallery. At New York University, she has taught a number of courses on modern and contemporary art. Madeline has also written exhibition catalog essays for Marlborough Gallery and published texts in Burlington Contemporary, Brooklyn Rail, Damn Magazine, Hyperallergic, Art Margins Online, AWARE Magazine, post: notes on art in a global context, MoMA Magazine, and in the 2020 Mercosul Biennial publication Against the Canon: Art, Feminism(s) and Activisms, XVIII to XXI Centuries.


Transversal Orientations Part II: C-MAP Seminar

The 2022 C-MAP seminar series, Transversal Orientations Part II, was held on Zoom across four panels on May 25 and 26, 2022. Included here are abstracts and recordings of the panels. The seminar series was organized by Nancy Dantas, C-MAP Africa Fellow; Inga Lāce, C-MAP Central and Eastern Europe Fellow; Madeline Murphy Turner, Former Cisneros Institute Research Fellow for Latin America, and Wong Binghao, C-MAP Asia Fellow.